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    Articles

    Using the Tools of Structure

    By: Charles L. Owen, Distinguished Professor Emeritus, Institute of Design, Illinois Institute of Technology
    Monday June 16, 2008

     

    Problems worthy of innovation range across the map from
    seemingly simple ones like the design of low-function objects
    (think tableware) to complex systems so multifunctional it's hard even
    to know where to start. For complex problems, as you might expect,
    we usually insist on some kind of structure to work from; but for the
    "simple" ones, we almost never feel the need. Somehow it seems right
    to innovate within structure for a big problem, but its OK to treat
    lesser problems as one-shot idea generation exercises.

    The reality is that structure is the tried and true friend of
    innovation. For big problems, it can show not only where to begin,
    but how aspects of the problem fit together, how the context of the
    problem is organized, how solutions can be best communicated, how
    systems can be modeled for evaluation and comparison, and much, much
    more, as they say. The interesting thing is that, from the
    planner/designer/innovator's point of view, the same constructs that
    help us to bring order to big problems work to expand our thinking
    for the seemingly simple ones. The tools of structure are tools
    of innovation.

    Graphs and Hierarchies

    What I mean by "structure" is (1) an organization that abstracts
    the real world to a chosen set of things we wish to think about, and
    (2) one or more ways to think about those things that creates the
    organization. There are more ways than one to represent structure.
    Two that I think make great sense for concept building are graphs and
    hierarchies. By graphs, I don't mean the x/y plots, bar charts and pie
    charts familiar to everyone, but the network-like models that show how
    elements in a set are linked to each other. Hierarchies are probably
    more familiar - they should be; they exist all around us - but, like
    graphs, the information they convey is dependent on what they organize
    and what relationships they use to do the organization. 

    Both graphs and hierarchies have been subjects of mathematical
    appreciation since Leonhard Euler invented graph theory in 1736. Euler
    put together the first principles while explaining to the burghers of
    Königsberg, Prussia why they couldn't find a way to walk from their
    homes around the city and back again while crossing all seven bridges
    spanning the River Pregel only once each,  The challenge had been
    a traditional Sunday after-church exercise for many years (try it―
    Figure 1 is a diagram of the river and bridges in Euler's time).

     Figure 1 -  click image to view PDF

    In November 1968, under the auspices of the McDonald Douglas Corporation
    and the University of California Irvine, the first scientific gathering
    on hierarchy was held in California, "bringing together scientists,
    engineers, designers and others interested in the function of hierarchical
    structure in nature, concept and design" (Hierarchical Structure.
    Whyte, Wilson and Wilson. eds. NY: American Elsevier, 1969).  Some 47
    speakers presented papers from nearly as many disciplines, all exploring
    hierarchy as seen in their domains of study. Whether it exists in an
    identifiably real sense or is a conceptual overlay to bring order to
    complexity, structure is fundamental to human comprehension.

    Mental Manipulation

    Two interesting numbers relate to this.  First is George Miller's famous
    "magic number 7 plus or minus 2". In his well-known 1956 paper,
    Miller discussed human capabilities for dealing with amounts of
    information. From a number of studies, he concluded that our capacity
    is limited (perhaps to 7 items plus or minus 2), but that we can
    increase our ability by coding information into chunks that can be
    remembered and manipulated as individual information elements and
    then decoded (an example of superimposing hierarchy). Among many uses
    of this information is the general admonition to executives to organize
    with no more than 7 (plus or minus 2) individuals reporting to a single
    superior. 

    A second number of interest is 3. This one came forcibly to my attention
    at a cybernetics conference some years ago. After watching a
    government researcher illustrate his entire talk categorically with
    each category containing three sub-categories - at every level of
    every topic - I asked (not too innocently) if there was any significance
    in that. I got what I deserved when he told me it was just an example of
    "Peirciadic triadomania". A little private research later revealed
    that Charles Sanders Peirce, the eminent logician, philosopher and
    founder of semiotics and pragmatism, was fond of three-part categorization
    in his writings…

    From a psychological point of view, though, the use of 3 makes sense
    (Figure 2). When we have to choose sub-categories for a category, we
    look for word descriptions that "feel right" in balancing the choices
    with each other; parallelism, consistency, coherence and other principles
    for comparison come into play. Two sub-categories is too easy - only
    one comparison to consider. Three requires three evaluations, not
    at all difficult and much more satisfying. Four, on the other hand,
    requires six comparisons to be considered, twice what were
    required for three - up around Miller's magic number and not too easy
    to do. Five requires ten comparisons, and we begin to lose control. 
    With sub-categorization of more than three, the list is increasingly less
    likely to be well-balanced. The four graphs of Figure 2 visually
    demonstrate the rapidly rising complexity of the task.

     

    Figure 2 - click image to view PDF

    So what does this have to do with structure and innovation?  First,
    it explains again why it is hard to deal unaided with complexity;
    second, it suggests a tool that can help. Graphs give us a way to
    visualize complexity with a precision brought about through abstraction. 
    They afford us a tool for selectively examining the effects of specific
    relationships in organizing elements of a problem. Figure 2 shows
    forcefully how increasing the number of elements exponentially increases
    the relationships to be considered among them.

    Relationships can be virtually anything as long as they can be expressed
    clearly enough to be tested against the elements. Insights gained usually
    derive from seeing how groupings assemble for a specific relationship;
    however, there is often insight to be gained in seeing which items are
    not linked as well as seeing which ones are. 

    Using the Tools

    Figure 3 shows a graph that organizes a set of fifteen elements. 
    A link between elements indicates that the organizing relationship is
    satisfied.  The set of elements might be fifteen controls,
    gauges and warning lights on a piece of equipment under development,
    and the relationship might be "in emergency, is used together with". 
    The tests are made by plugging in successive elements and asking,
    is it true or false that: x “in emergency, is used together with” y ?

     

    Figure 3 - click image to view PDF

     

    A graph often provides enough structure to reveal insights not otherwise
    readily obvious. If the graph is large, however, Miller's magic number
    comes back into play, and it is useful to bring in hierarchy to help. 
    Figure 4 shows the same graph with superimposed boundaries that "chunk"
    the elements into six clusters of highly interrelated elements. In this
    case, the graph is small enough that this single level of hierarchy is
    probably enough structure to provide all the insight necessary (groupings
    for the controls, gauges and warning lights, for example). If that isn't
    enough, however, the clusters can themselves be clustered as shown
    in Figure 5. In this case, the form generally shifts to one of the
    familiar tree-like structures better suited to communicating complex
    hierarchical information.

     

    Figure 4 - click image to view PDF

     Hierarchies allow us to represent and look intelligently at very
    complex collections of information. Since the 1960's when computers
    became relatively capable and available, it has been possible to use
    the tools of structure effectively for many purposes, including
    innovation. The invention of numerical taxonomy in the '60's furthered
    this considerably. Computer programs implementing numerical taxonomy
    concepts (such as RELATN used in Structured Planning) enable us
    to construct typologies organizing sets of elements according to almost
    any characteristics we see as important. For example, if we were
    contemplating the development of the next generation of cell phones (or
    maybe better described as "personal communication devices"), we might
    wish to see how existing kinds of informal communications organize
    themselves against a series of characteristics possibly important for
    potential users. These could include formality required, privacy
    afforded, transmission fidelity, emotive capacity, simultaneity,
    spatial reach and many more possibilities.
     

    Figure 5 - click image to view PDF

     

     
    The study diagrammed in Figure 6 used 39 such characteristics.
    The computer calculates the amount of similarity between message types
    based on the characteristics scored and establishes a graph with links
    where the similarity is strong. The important thing is that similarity
    is what we say it is
    - we choose the characteristics that define
    it, and we decide how important each is. When the graph is
    complex enough to benefit from hierarchical structuring (usually),
    the computer is called upon to build a hierarchy (the VTCON program
    is used in Structured Planning). The final structure is tree-like, but not
    necessarily a tree because elements (and clusters) can belong to more
    than one higher level cluster. The name for this kind of hierarchy
    is a "semi-lattice". It is a more general form of hierarchy than a
    tree and is usually more appropriate for the kinds of typologies
    created when exploring the subjects of human innovation. 

     

    Figure 6 - click image to view PDF

     

     The structure in Figure 6 is a semi-lattice organizing types of
    communications from the previously mentioned 2001 study on media. 
    Labels on the far right summarize the first level media clusters
    formed using the 39 characteristics. As an example of interpretation,
    the shaded area suggests an emerging market for delivery of urgent,
    confidential messages with high fidelity and reliability - an early
    warning of the social communication revolution now overtaking youthful
    cell phone users.

    Similarity is useful for generating structure in many of the phases
    of innovation.  But one of the most powerful uses of structure for
    innovation is in the organization of the synthesis phase when the
    relationships among Functions are reconsidered. In Structured
    Planning, a special measure has been developed to link elements that
    should be considered together (the Functions discussed in "Covering
    User Needs
    ") not on the basis of similarity or categorical likeness,
    but on the basis of whether there is a strong likelihood that they
    would be affected by the same solution concepts. I will discuss this
    in the next article.

     

    Figure 7 - click image to view PDF

     

    For those still wondering about the burghers of Königsberg, Figure 7
    abstracts the bridges and city neighborhoods to a graph such as Euler
    used to show why it was impossible to make the "once each bridge"
    journey and get back home. I don't think he told them, though, that if
    they just built two more bridges - or took two away - they could.
    Try it again.

    Charles L. Owen is Distinguished Professor Emeritus at the Institute of Design,
    one of the six academic units of the Illinois Institute of Technology (IIT) in Chicago.
    There, Mr. Owen conducts research and teaches semiannually in the MDes, MDM
    and PhD Design graduate programs.
      

     

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