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    Articles

    Insight and Ideas

    By: Charles L. Owen, Distinguished Professor Emeritus, Institute of Design, Illinois Institute of Technology
    Monday February 11, 2008

     

    Almost everyone is familiar with the famous Edison quote: "Genius is 1
    percent inspiration and 99 percent perspiration". To know much
    about Edison's life, is to know that was certainly true for him - and
    many other creative individuals when you take the time to learn
    how they worked. Yet, there is still a strong sense among many
    that great ideas come to the gifted in the way lightning strikes,
    unpredicted and unexpected.

    Insights as Idea Sources

    In my experience, great ideas more likely come from great insight.
    The insight may also seem to come suddenly, but it almost always is
    preceded by solid spade work involving observation, experimentation,
    thoughtful reflection and search fueled by curiosity and almost
    relentless questioning. The analyst who repeatedly asks the question
    "why?" is most likely to be rewarded with insight.

    It is through answering the why's that we set foot on the trail to
    insight. Insight is penetration, a view of the inner nature
    of things. That view may reveal pattern - recognition that when
    certain conditions are present, particular events almost surely
    follow. At other times, an insight may be more about mechanism,
    establishing how a cause or chain of causes generates a certain effect. 
    Sometimes it takes the form of a structure or a model that shows
    how phenomena relate to each other. It can also be about process - 
    the steps that lead one set of conditions to change to another.

    As complex and mysterious as it is, getting an insight is not anywhere
    near enough when it comes to planning or designing systems. Complex
    systems consist of many designed elements and relationships, all
    of which can benefit from insight. Understanding a system's potential
    users alone can provide a wealth of good insights easily able to shape
    innovative new directions. The problem is capturing them and making
    sure they get into the planning process. How insights are transferred
    from the aha! event to a usable form of information is an important
    part of the answer.

    Some time when you have an opportunity, ask about the research conducted
    for a project. Nine times out of ten you will get some variant of
    this answer: "right over here", and a hand pointing to a filing
    cabinet. In the filing cabinet will be reports, publications,
    ethnographic video tapes, copies of articles from journals, photographs,
    web screen-dumps, downloads and a wealth of other archived remnants
    of what was probably an extensive fact-gathering research activity. 
    The problem is, this is data - undistilled - in its original form. 
    It may have had great value in shaping the search, informing the
    planning team and even revealing insight, but in its original form,
    it does not enter the information stream in a way suitable to have
    impact in the several places it should. Worse, if it is considered
    at all, important details are likely to be forgotten, even mis-remembered.

    Data is not information. Information acquires its value through
    distillation, interpretation and the revelation of insight. At its best,
    information has surprise, and one measure of its value is how much. 
    A crucial step in the analysis phase of planning is the recognition
    of insight and the thoughtful communication of it in a form usable
    in the information flow.

    An Insight Document: The Design Factor

    In Structured Planning, insights are thought through on one-page documents
    called Design Factors (see the Figure). As in other phases of the process,
    standardization is deliberately applied to the way in which information
    is presented, so that it can be readily contributed and used by anyone
    working with the planning process. A Design Factor document actually
    contains more information than just an insight, but we will get to
    that shortly. From the insight standpoint, the information is distilled
    into an Observation and its Extension.

    Observations are succinct, usually one-sentence statements expressing
    the essence of the insight. In "Covering User Needs", I introduced
    the idea of Observations as qualitative information elements and the
    evolution of their form through experiments with different formats
    seeking greater information content and more natural grammar. A form
    we use frequently introduces a condition and then completes a pattern
    by noting the effect that the condition typically produces. For
    example: "While moving through open spaces, crew members may
    inadvertently contact equipment with their feet." This was a surprise
    to the designers of Space Lab; switches were being turned on and off
    unintentionally! We picked up this insight from their reports and used
    it in work we did for NASA on Space Station.

    The form of the Observation isn't rigidly constrained to the condition/effect
    format, however. As long as there is insight, the statement
    has value. An example of another form is the Observation from the
    Design Factor in the Figure: "Ill-maintained equipment drives riders away;
    well-maintained old equipment often may attract them." This had
    direct bearing on concepts that we developed for Chicago's CTA transit
    system.

    The Extension section of the Design Factor is used to carry on the
    discussion. Experience has shown that considerable value derives from
    distilling an insight to a single sentence. Through this process,
    what is important and not so important gets sorted out.  But communication
    may also suffer from the distillation, and we found ourselves far too
    often asking "why" and "what do you mean by that" questions of Design Factor
    originators. The result was the Extension section, where these kinds of
    questions can be answered, and the insight augmented with additional
    information on causes, effects, relationships, contexts, associations,
    etc. that help to explain why the phenomenon exists.

    Combining Insight and Ideas

    The Design Factor document, as earlier suggested, also contains other
    useful information. Contrary to the design model that suggests that
    the path of development progresses neatly from analysis to synthesis to
    evaluation in discrete steps, Structured Planning is much less
    firmly partitioned. During the information gathering activity, when
    understanding and insight are being sought, the analyst is expected to
    think about solutions in the midst of finding problems―and to
    apply some practical screening at the same time as a preliminary form
    of evaluation. Thus, the Design Factor document in one place contains
    ideas as well as insight. The document's design takes inspiration from
    the fact that when an insight about a problem is gained, it is often 
    easiest then to see solutions for it.

    The bottom half of the Design Factor form is devoted to ideas.  On the
    left, the view is strategic. In the document in the Figure, two
    strategies are given for using the insight that well-maintained old
    equipment can have charm: (1) care for old equipment, and (2) emphasize
    its charm. On the right, ideas for specific implementation of the
    strategies are given names as titles for "solution elements" - potential
    component concepts for a system solution: Identity-Element Maintenance
    Crews (teams that would be assigned to specific equipment to maintain
    as their own), and Highlighted Antiques (older devices, equipment and
    environments spotlighted with placement, lighting, painting and other
    attention-awarding means). The titles are place-holders for more
    detailed discussions and explanations documented separately. In my
    next article I will talk more about this and how best to capture ideas
    quickly and efficiently when they occur.

    Insight is the motive force. In advanced planning for system concepts,
    hundreds of insights are needed. The reward is true innovation across
    the system. Making the effort to distill data to information and to
    standardize its communication has a big payoff. And the payoff
    continues beyond the project. Companies and institutions across the
    country lose highly valuable information every day as employees retire,
    change jobs and otherwise move within the organization or leave it.
    The data stay - the memos, plans, reports, drawings - but the
    reasons why things were done the way they were, disappear. The
    qualitative information - the why’s, the insights - go. Probably
    billions of dollars worth of information are lost every year because
    there is no qualitative knowledge base to match the quantitative
    systems that most companies and institutions possess.

    Design Factors are elements of that kind of knowledge base. 



    Charles L. Owen is Distinguished Professor Emeritus at the Institute of Design,
    one of the six academic units of the Illinois Institute of Technology (IIT) in Chicago.
    There, Mr. Owen conducts research and teaches semiannually in the MDes, MDM
    and PhD Design graduate programs.

     

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